Music Production News

Discover 11 essential music production techniques for 2025. Learn AI workflows, mixing tips, and the latest sound engineering tools for students and pros.

Discover the must-have gear for aspiring audio engineers. From DAWs to studio monitors, learn what you need to start your journey in audio production.

Learn how creativity and technical expertise come together to shape unforgettable soundscapes with OIART's programs.

Explore sound engineering in Canada and learn how OIART equips students with technical skills, hands-on training, and industry connections to launch lasting careers in audio production.

Learn how music production schools like OIART turn passion into careers. Gain hands-on experience, industry knowledge, and the skills to succeed in music production and sound engineering.

Working as a music producer is a perfect career choice for someone who likes every day to be a little different than the last, wants to blend creativity with technical aptitude, and loves the artistry of crafting a track that brings an overall vision to life. Learn more from OIART to see if music production is a fit for you.

Enhancing your music production skills is an ongoing process of exploration, learning, and growing throughout your career. Prioritizing staying on top of the latest tech, musical trends, and optimizing workflows will go far in building a lasting career. Learn from the experts at OIART on how to enhance your skills.

A music producer is a multifaceted professional responsible for overseeing and guiding the creation, recording, and production of music tracks or albums. Find out what it takes to a music producer and start your career with OIART.

Digital and analog audio recording are distinct methods for capturing sound. Learn how to use them both in the right capacity to expand your knowledge and career. Study at OIART and master this skill and others as you work towards your degree.

Are you looking to improve your music production skills? Check out OIART’s 5 recommended ways to improve. Whether you are a beginner, or a music engineer, OIART outlines steps to boost your skills and offer knowledge on what it takes to become a music producer. Check out our music engineering programs today!

Music production is constantly changing, with some techniques becoming exceedingly popular while others fade away. Read on to find out what we recommend as the top 5 production techniques in 2023.

Music production and audio engineering are related fields with plenty of overlap, but they are distinctly different roles within the audio world. Understanding how these roles vary from each other can help you choose between music and sound production or audio engineering programs. Music production is a creative role involved throughout the creation of a new track. This role is often managerial, as you may need to manage artists, musicians, and engineers. You may also take on the role of the composer and craft a MIDI track to accompany a vocalist. Additionally, you’ll gain a technical skill set and apply it creatively to projects. Audio engineering is a more technical role focusing on the actual recording of sounds, which can be vocals, instruments, or even sound effects. You generally will not provide creative input but will instead cater to the needs of creative roles like producers and artists. This role involves a strong technical and scientific understanding of electronics and sound. Which career path will provide you with a fulfilling career? Keep reading to dive deeper into the differences between these two roles to help you hone in on the best choice for your future career. What is Music Production? Music production blends software and creativity to produce a final product aligned with the artist or your artistic vision. Attending a music or audio production program prepares you for this role by providing hands-on training and an in-depth understanding of music theory. By graduation, you’ll know how to produce a track from start to finish, work with artists, and provide guidance to engineers and technicians. Let’s explore your daily responsibilities as a producer, key challenges, and examine if it’s the right career for you. Core Music Production Responsibilities A music producer sees the big, artistic vision of every project they work on. You’ll develop a trained ear for music, a feel for what makes a good song, and add your own artistic touch to most projects. The music producer often takes on a managerial role for larger projects. For example, if a track involves several vocalists and musicians, you’ll need to coordinate recording times and impart the overall goal of their part. Additionally, you’ll coordinate efforts with sound engineers, technicians, and composers. It’s worth noting that most projects will be unique, so precisely what you do will vary on every track you work on during your career. For example, you might work with an aspiring artist on a small project. You’ll then be responsible for the entire track beyond providing vocals, such as building drum patterns, composing melodies, and crafting basslines. In addition, you’ll handle mixing and mastering. Challenges of Music Production If you asked a dozen working music producers about their biggest challenges, you’d likely get a dozen different answers. Every producer has their own hurdles, challenges, and even dislikes of working in the field. One common challenge in music and sound production is working with the artists themselves. You’ll have to accommodate specific requests, manage their vision and expectations, or sometimes even work around their ego. For example, can you ask a major artist to re-record a verse because the first take wasn’t quite right without bruising their self-esteem? Another challenge of working as a producer is you need to constantly stay aware of the latest trends in production and music overall. While this isn’t usually an unpleasant challenge, it’s still something you’ll need to invest time in to make sure you’re aware of what listeners are appreciating. Is Music Production Right for You? Should you choose production over engineering? You might already have a rough idea after reading the above sections, but let’s examine the characteristics of someone well-suited for a career in music production: You’re able to conceptualize the overall vision and sound of a track You have excellent soft skills, such as interpersonal communication and managing different personalities on a project You have both a technical and creative mindset. As a result, you can learn new software and tools whenever necessary while also providing creative input and guidance to others. You can manage complex projects with several moving pieces. Prior experience in any form of project management is helpful. You take feedback and criticism well and can incorporate them into the project. What is Sound or Audio Engineering? Audio engineering, often also referred to as sound engineering, is the practice of configuring the hardware and software involved in recording or broadcasting to provide the highest possible quality sound. Music engineering is a more specialized form of audio engineering in which you’ll apply the same skills to assist producers and artists in creating a polished track. Audio and music engineering programs impart a strong understanding of sound's technical and scientific aspects, including how it moves through electrical components and the room itself. It’s time to break down the field of sound engineering to help you decide if it’s the right choice for you. Core Responsibilities of Audio Engineering The primary task of an audio engineer is to ensure all the hardware and software used in recording audio is adequately set up and configured to capture high-quality sound. You need to know how to set everything up and the theory behind how components work together. For example, you must understand how signals move through your setup before reaching the DAW. This level of understanding allows you to adapt to the available equipment, recording booth, or arena and contribute to the overall project. Unlike music producing, you won’t typically take on a managerial role or provide creative input. However, you may manage a team of engineers and sound technicians on larger projects. Audio Engineering Challenges Audio engineering is a highly technical role, making it challenging for those without an aptitude for learning about technology and electronics. You need to know what every piece of equipment does, how it works, and how components work together. Additionally, an audio engineer must also know how to test and troubleshoot any issues that may arise. For example, the last thing anyone on a project wants is a delay in recording due to malfunctioning equipment. Can you fix it or find a suitable alternative? Engineering can also be a struggle for those who want to lend their creativity to a project. While there’s no hard rule against providing input, audio engineers generally provide little to no input that guides the creative direction of a project. This factor isn’t an issue for some, but music production might be a better fit if you’d like to contribute creatively. Is Audio Engineering for You? Should you choose audio engineering over music production? Let’s explore some of the core characteristics that might make you better suited for engineering over production: You enjoy working with technology and electronics You’re interested in manipulating sounds with the tools at hand You’re organized and able to take instructions You excel in scientific and technical fields, plus find enjoyment in them You’re okay with rarely providing creative input, instead focusing on the gear and technology that helps producers and artists bring their vision to life Will You Ever Do Engineering and Production? Some projects will call for handling the roles of a music producer and an audio engineer. Having the skill set of both roles can help make you a valuable asset, and you may enjoy learning both sides of the audio world. Generally, it’s projects with smaller budgets that seek out professionals capable of taking on both roles rather than hiring several specialists. For example, a smaller label or independent recording artist won’t have the budget for a team of experts but still want to produce a high-quality song. It’s not as common, but medium to large projects may even require wearing both hats. For example, imagine a scenario where the producer is suddenly unavailable. You’re already in the studio as the engineer — being able to step in as the producer saves the project and showcases your value to the company or artist. Ultimately, if you’re interested in both, you don’t necessarily have to pick only one option. For example, you can start with a music production program and later return for an audio engineering course. Enroll in OIART’s School of Audio Engineering Attending a formal program for either career option will teach you the skills, techniques, and theories behind production and engineering. You’ll gain a deep understanding of your chosen path and be prepared to start working in your new field. OIART is an industry-recognized education institution with music production and audio engineering programs designed to prepare you for your new career. You’ll gain hands-on experience in the industry and be ready for your first day in the studio. Ready to begin? Take the first steps to get formal training to get a diploma and start your new career.

Music and sound production is an exciting career not only due to its creativity but also because every day will be unique and often exciting. You’ll unlikely have the same workday twice in a row or even twice in a month. Every working producer in the industry has their own ideal workday, different areas of specialty, and varying routines based on what works best for them. Having control over your workday and the flexibility to manage different projects and responsibilities is one reason why people are drawn to music production. Ready to become a music producer? Keep reading to take a glimpse into what a day in the life of your future career might look like. Dispelling Music Production Workday Misconceptions Before diving into what a music producer’s workday is, let’s dispel some myths about what it has to be: Myth 1: Start a new song and work on it until it’s done: In the beginning, it’s good advice to focus on a song from start to finish. However, working producers rarely, if ever, work on a track straight through. Instead, they’ll put time into a track and come back a day or two later with fresh ears. Myth 2: Only work on one song at a time: Most producers work on multiple tracks throughout a day or workweek. Sometimes you want to focus on mixing or mastering, so you’ll do that for tracks in the final stages. On other days, you’ll need to record vocals for several different tracks. So it’s unusual for producers to only work on one song at a time until it's finished. Myth 3: Finish every song you start: Sometimes, a track doesn’t have the sound or feel you were going for. Don’t lock yourself into finishing every song you start; sometimes, it’s better to start over rather than try to save a track that took a wrong turn. Myth 4: Work on tracks eight hours every day: Working on tracks is essential, but you must also listen to music, explore new VSTs and technologies, and stay on top of industry news. Working on tracks constantly can ultimately hinder your creativity and even the quality of the final result. Some of these misconceptions may end up actually working for you, but they’re myths because they’re often thought of as rigid rules. A great thing about music production is there are no rules about how you structure your workday. Days Can Vary Dramatically Music producer programs will teach you various tools, techniques, and processes to help you build your ideal work routine. You’ll learn what works for most producers and less popular but still effective processes worth considering. Let’s explore some common daily tasks music producers tend to work into their routines. Be aware that not every day needs to be exactly the same; you might spend an entire day on one of these items or all of them and more in a single day. Producing New Music or Revisiting Ongoing Projects It’s common for producers to have several, sometimes dozens, of ongoing projects at a time. But, even then, you might have a sudden inspiration or assignment that calls for creating a new project. Producers often bounce around between ongoing tracks to keep things fresh. For example, they may have an idea for a bassline for one track, then be inspired to change the 808 pattern on another. Not having rigid guidelines allows producers to work on whatever they want, provided they meet applicable deadlines and responsibilities from employers or clients. Research, Explore, and Develop Producers must stay on top of emerging trends, technologies, and industry news. It’s common for producers to set aside time every day, often in the morning, to check music news sites and producer-focused communities to stay aware of any changes that might impact their jobs. For example, VSTs are a necessary tool for producers. If a new VST comes out that might help with a specific process, it’s worth exploring. Additionally, popular VSTs might have updates that need to be done manually, and missing out on updating means not having new features. Sound Design and Recording Time Sound design is the art of crafting specific sounds for your tracks. Some producers will do this during the overall production process, while others set aside specific time to dive into their synths or gear and create unique sounds. Depending on your job, you might have entire days working with recording artists to capture vocals for their albums. Vocalists might want to record multiple tracks in a single session, so it’s impractical to try to produce the rest of the track simultaneously. Instead, you’ll focus on ensuring you have the right vocals you need to work with later. Workout Your Ears A little-known side effect of music production is ear fatigue. It’s a common phenomenon for music producers who spend hours or days on a single track. It’s part physiological and part psychological, and the result is you no longer accurately understand how your track sounds. You might export a track at night and think it’s incredible, only to listen to it the following day and dislike almost everything about it. This experience is an example of ear fatigue in practice. To combat ear fatigue, take breaks to work out your ears. Listen to something else, whether it’s a podcast, music from your favourite producer, or nothing at all. Take ear workout breaks throughout your day to keep ear fatigue at bay; you’ll prevent spending hours working on track you end up throwing away. Mixing and Mastering These two distinct processes focus on creating the final product ready to export and finalize. Mixing is a variety of techniques concerned with balancing all the individual tracks in a song to blend and create the exact sound you’re after. An example of mixing is setting your high-hat track to auto-pan every bar and changing it to -2 decibels. You may then side-chain your kick to the bassline or increase vocals by 0.5 decibels. Mastering is another set of techniques that fine-tunes the entire track, so it sounds great regardless of where it’s played. Like mixing, mastering also focuses on creating the exact sound, mood, and feel you want. Detailed equalizers, limiters, specialized mastering engineers and a properly treated studio are the standard tools used in mastering. When it comes to a producer's day, they might set aside time to mix and master several ongoing projects over a few hours. Some producers also mix as they produce and then just do a final check before moving on to mastering. Ultimately, it depends on the producer’s workflow. Workdays Are Also Based on Your Career An added factor that influences your workday is how you build your career. You’ll have more restrictions if you decide to become an in-house producer for a recording label or studio. For example, you might be expected to go to the office every day and spend some time in the studio or have a busy schedule working with recording artists. Conversely, suppose you work independently and sell finished tracks to artists or license them to businesses. In that case, you’ll have more control over your workday and be free to do whatever helps you consistently produce new tracks to keep generating revenue.

A career in music production makes it your job to create compelling and attention-grabbing music. You’ll spend your days absorbing new music, analyzing what you like, and using various tools and equipment to craft your own tracks.

Sound engineers play a vital role in audio recording, music production, post production and live performances. Engineers take on the technical aspects of the entire process, including a practical understanding of the physics of sound.

Taking your first steps as an audio engineer or music producer can be daunting. There are so many considerations to make, from the equipment to buy for your home studio to the classes you’ll take at recording schools.

For those pursuing a career in audio engineering, it’s considered a rite of passage to start building your own workspace with all the professional equipment you will need for the job.

Just like how every carpenter needs a hammer, you need the right tools for the job if you want to be involved in music and sound production. If you’re serious about being involved in sound production, what sets apart the amateurs from the aspiring professionals is simple: proper equipment and the training to use it. [...]

DAW stands for Digital Audio Workstation and is a type of software that you use for recording, mixing, editing, and processing digital audio. DAWs may come in a variety of forms ranging from a single software program on a laptop to a highly complex system of multiple components that is controlled by a central computer, [...]

Internships are a fundamental first step in your career, especially in the music industry. Many companies will hire their interns in the future, making the connections you form during your internship extremely valuable. But how do you go about getting one? Some positions are not widely advertised, or not advertised at all, and it can [...]

The music industry is heavily based on who you know and what kinds of connections you are able to make. This means lots of networking! Networking can seem like an intimidating task, but it doesn’t have to be! Start with small steps, and you will be an expert with a solid network in no time! [...]

Being a music producer can be one of the most exciting jobs in the music industry. You get the chance to work with a variety of artists on projects of all kinds and oversee the creation of many records. As a music producer, you’ll get the chance to work on the creative side of music [...]

Yet another exciting role in the audio industry is the mastering engineer. A mastering engineer is hired by the artist or producer of an album to complete the audio mastering process during the post-production of an album. The mastering engineer has specific expertise in preparing and transferring audio from one raw format to the desired [...]

Internships are an important first step in your career and can open the door to a certain company or career path you are looking to pursue. They may get a bad reputation as many internships are unpaid, and you hear horror stories of interns did nothing but get coffee for their entire internship, but there [...]

There are many different music production techniques out there, and it can be overwhelming as you may feel you need to master them all in order to succeed. To help you get started, I have compiled a list of 5 popular music production techniques. These techniques are simple, but they will get your mixes sounding [...]

If you are hoping to make a career of music production, or even if you are just doing it as a hobby, you should constantly be looking for ways to improve. You should look for ways to improve your music production skills so that you can produce better and better tracks and move forward with [...]

If you are pursuing a career in music production, it is important that you understand each of the roles involved in the process. Music producers and sound engineers are two roles that are essential to the music production process, although it can get a little confusing as to which roles each person is responsible for. [...]

Music Producers are anyone who are involved with the production of music. Whether it be songwriting, composing or recording, these are the people who work as/alongside artists to shape the outcome of a music project. There is a big overlap between music producers and other roles in the music “production” process, including engineers, mixers, masters [...]

It’s no surprise that Canada’s music scene is growing and growing. For a long time it was widely accepted that our southern neighbours dominated the recording industry, with New York and Los Angeles being established as creative epicentres of North America (and the world). In the last couple decades however, Canadian artists have began to [...]

OIART congratulates alumni Jason Dufour (’07) on his JUNO nod for Recording Engineer of the Year. He’s now one of Canada’s top engineers. Learn about his back story.

There’s no denying it, some cities are far better for music than others. In fact, you may have heard the term “music city” been used before. This is a term that describes a city that has a strong appreciation for music, and backs up its artists, clubs and venues through government funding and through [...]

We’ve all been there, you get a frantic email from a client at 11:30 at night asking if you can turn around a mix in one day before the weekend. With your other client work and what little personal life you have left, there’s only so much time you have to churn out a [...]

As an audio engineer you have an obligation to never stop learning. When an artist or production house hires you for a new project, they are expecting you to be the best of your peers. It’s no surprise that for many, that expectation will be built on your practical experience. But when it comes [...]

IT’S YOUR TRUE CALLING Think you’re the next Rick Rubin? Is Phil Spector your childhood hero? Want to get on Timbaland’s level? If you answered yes to any of these questions, there’s a good chance you have the intentions to become the world’s next elite music producer. Good news is, everyone has what it [...]

Are you unhappy with how your mixes are turning out? Do you feel like your song is missing that ‘pop’, that brings it alive? If you can’t get your song to sound great outside of the studio, you’re not alone. In a sea of tricks and tips, there’s one sneaky hack that you’d [...]

Recording and mixing is your craft so it’s no surprise that you want your projects to sound the best they can possibly be. Luckily for you, we have some free tips on how to help you achieve a great, professional sound for all of your recording and mixing endeavours. While it’s not “sexy” [...]

I love making mistakes and you should too. Doing things the “wrong” way not only teaches what best to do the next time around, but gives us the motivation to want to prove to ourselves that we can do better. Fortunately for you, you work in the mixing and recording industry so there [...]

Out of almost 500 submissions, the following entries were chosen as the winners of the Dread Machine mix contest: First Prize: Rob Morgan Second Prize: Yaroslav Third Prize: Ben Muller

Reverb is by far one of the most valuable techniques in the audio engineers arsenal. Applying reverb can do so much for a song: it adds a sense of depth, can change what type of “room” the sound sounds like it was recorded in and beefs up an otherwise flat sounding song. But [...]

Even as the music world becomes more and more digital-focused, the key to success for a lot of artists still relies on radio play. The advent of streaming services like Spotify and Apple Music shook the music world in the past couple of years, because for the first time people had new and [...]

With so many digital plugins at our disposal, these days it can be tempting to overdo it. But just because it only takes a couple clicks to add effects on tracks, it doesn't mean we should. When it comes to mixing tactics for something as vital as compression, it takes years of trial [...]

What a great little write up from our friends at Audient !! Not only have our new consoles been great for our students to learn signal flow on, they sound amazing! Sign up for our mix contest http://www.oiart.org/mix-contest and get the multitrack of ‘Dread Machine’ for a chance to win some cool prizes!! https://audient.com/2018/02/12/oiart-2he/ [...]

Explore how OIART grad Matty Green became a top LA mixer, with credits including Ed Sheeran, Paul McCartney, Lady Gaga, & TV on the Radio after training at OIART.

OIART grad Dane Liska built a career from engineering and touring to becoming Label Manager at The Independent Label Services Group, supporting artists worldwide.

OIART grad Rob “Muneshine” Bakker is a Juno-nominated producer, artist, & DJ known for global collaborations, hit releases, & success with hip hop & electronic music

Learn how OIART grad Kelly Burrow built a career in music licensing, securing rights for TV networks & series, from MuchMusic to So You Think You Can Dance Canada.

Learn how OIART grad Cam Banika built a freelance career in live sound, recording, mixing, & production, collaborating with local & touring artists since 13'.

See how OIART grad Alex Robillard works as a sound engineer, AV technician at Lakehead University, & freelance film sound designer and FOH mixer for touring bands

OIART grad Dmitri Belichenko is a freelance composer, mixer, and DJ creating music for global brands, TV, games, and festivals worldwide as electronic artist KloneZ.

Learn how OIART grad Liam Thompson built a career as a DJ/producer, across London, opening for major artists, releasing new music, & growing his two artist brands.

See how OIART grad Tyler Chute built a career as a freelance mix engineer, producer, & Trew Audio sales rep, working with studios, artists, & top location recordists

Discover how OIART grad Robin Parmar built an international career as an electroacoustic composer and researcher, creating experimental sound works across media.

See how OIART grad Wayne Warren works as Music Supervisor & Post Production Supervisor on hit series like Frontier, bringing expertise in music editing & licensing

See how OIART grad Dean Guilbault became a successful producer, songwriter and artist with Always Never, earning millions of streams and international recognition.

OIART grad John Hurlbut has spent nearly 30 years as a recording engineer, mixer, & videographer, with credits spanning major films, TV productions, & studio work.

Learn how OIART grad Mary Lee built a career in audio for visual media, engineering and editing sound for top TV series, children’s shows, commercials & video games.

Explore how OIART grad Graham Lessard became Senior Recording Engineer at the world-renowned Banff Centre, working with top artists across folk, jazz, & indie music.

Discover how OIART grad Trevor Anderson became an in-demand engineer and producer, earning credits with Will Smith, Deep Purple, Serena Ryder and top producers.

See how OIART grad Jay Perry became the owner of Points East AV, leading design, installation, rentals, & production services across PEI after a diverse career audio

Discover how OIART grad Kyle Porter became a Senior Audio Programmer and versatile live sound technician, designing major AV systems and mixing theatre productions.

See how OIART grad Jeff Pelletier is Chief Engineer at Phase One Recording, with credits from Shawn Mendes to Tokyo Police Club & live mixes for major Canadian acts.

See how OIART grad Bryan Gallant became Operations Manager at Vancouver’s world-renowned Warehouse Studio, working alongside top artists & hiring fellow OIART alumni

OIART grad Simon Larochette runs The Sugar Shack studio, earning a Juno nomination and working with top Canadian artists across genres from country to punk & metal.

See how OIART grad David Ciccarelli co-founded Voices.com, now a global leader in online voice-over talent, from a small London studio into a major tech success.

OIART grad Jason Dufour has engineered projects for July Talk, Lights, Big Sugar, The Tea Party and more, building a standout career in Toronto’s recording scene.

Discover how OIART grad Matt Andersen became a Juno-nominated singer-songwriter, award-winning blues artist, and built an internationally acclaimed performer title.

JUNO-winning producer Siegfried Meier built Beach Road Studios and has worked with top artists worldwide, creating acclaimed records & a thriving production career.

Discover how OIART grad Anton DeLost built a thriving career as a producer, engineer, & studio owner in Toronto, working with top labels and touring internationally.

See how OIART grad Jakob Thiesen built a versatile career in sound design, Foley, composing and editing, earning an Emmy nomination and credits on major games & TV.

Learn how OIART grad Aaron Cieslikowski built a global career from LA to Nashville, working with artists like Brooks & Dunn & Natalie Cole before joining Sweetwater.

See how OIART grad Alex Krotz became Lead Assistant Engineer at Noble Street Studios, working with Juno-nominated artists like Shawn Mendes and Three Days Grace.

Explore how OIART grad Mike Tompa built a global career, from a internship in the UK to now head engineer at Merriam Studios, recording genres from jazz to metal.

See how OIART grad Graham Van Pelt built a celebrated career as Miracle Fortress, engineer, producer, and Polaris Prize–shortlisted artist in Montreal’s music scene.

Learn how OIART grad Kevin O’Leary built a career engineering major label projects, including Juno-nominated releases and sessions with top Canadian artists.

OIART grad Mike Shepherd became Head Engineer at Lakewind Sound, winning multiple ECMAs & working with top East Coast artists and legendary producer Bob Ezrin.

Discover how OIART grad Damian Hall became a top Jamaican producer and mix engineer, working with Shaggy, Beenie Man, Vybz Kartel, Universal Records and more.

Discover how OIART grad Nick Civiero became an assistant engineer at Bryan Adams’ Warehouse Studio, working across facilities & recording orchestras on the side.

Explore how OIART grad Marian Greksa built a diverse career in live sound, AV, lighting and rigging, freelancing with top production companies in Vancouver.

Learn how OIART grad Ryan Castle is a Grammy-winning engineer who’s worked with rock icons & now edits music for films like the Mark Wahlberg comedy “Daddy’s Home.”

Learn how OIART grad Mike Tompkins became a viral producer and artist, building a YouTube career with 230M+ views and working with global brands and major artists.

Explore how OIART grad Justin McDonough built a career as a producer and engineer, founding Resonate Music School & Studio and producing award-winning artists.

See how OIART grad Roger Leavens founded Boombox Sound, producing music and sound design for major brands while creating acclaimed albums for top Canadian artists.

Explore how OIART grad Kristian Montano built a mastering career at Lacquer Channel and leads his band Sun K, shortlisted for the JUNO Masterclass program.

Discover how OIART grad Phil Hotz built a studio career in Toronto, assisting at Revolution Recording and engineering projects for top Canadian artists like Arkells.

Explore how OIART grad Mike Cashin built a career as a studio engineer, studio manager & technical lead, working with top artists and designing studios in Vancouver.

OIART grad Joel Waddell became a producer, engineer and musician, collaborating with Rich Aucoin & creating award-nominated recordings & live performances.

See how OIART grad Douglas Beck became a mastering engineer at Disc Makers, working on CD, vinyl and tape projects after starting in the glass mastering department.

Discover how OIART grad Tim Wallace built a standout career in Hip Hop as a producer, engineer and artist with Juno nominations and major Canadian collaborators.

Discover how OIART grad Calvin Hartwick became a recording engineer and producer at Dream House Studios, working with artists like k-os, Kiesza, July Talk and METZ.

See how OIART grad Chris Colvin became owner and head engineer at Studio A, working with indie musicians, film/TV projects, corporate clients and analog restoration.

OIART grad Luke Schindler worked his way from intern to Assistant Engineer at Revolution Recording, supporting major artists in a top Toronto studio.