Avery Szumlamski - Grad Spotlight

Jeremy Alves | June 26, 2026

From OIART to MAC Show Systems: Avery Szumlanski’s Career in Live Sound and Event Production

When people picture a career in audio, they often imagine a studio, a console, and a band on the other side of the glass.


For Avery Szumlanski, audio has taken him somewhere very different.

A 2024 graduate of OIART, Avery now works as an audio technician at MAC Show Systems, where his work can involve audio, lighting, staging, PA systems, rigging, power, and large scale event production.



It is a career path that moves quickly, changes constantly, and puts him inside the kind of venues and productions he once looked at from the audience side.

“It’s pretty amazing,” Avery says. “As a kid, I had my fair time going to the Rogers Centre, going to see the Jays play, going to see the Leafs play. Being on the field or on the floor at those crazy massive venues is unreal compared to where I was at OIART almost two years ago.”

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Avery Szumlamski sitting on stacked speakers at an outdoor stage, wearing a black shirt and cap.

A Career in Live Sound Is Rarely Just One Thing

At MAC Show Systems, Avery’s job is not limited to standing behind a console.


His day can start with unloading trucks, helping get power running, rigging motors, flying PA, setting up systems, or supporting the technical needs of a show from the ground up.


“My skill set is pretty diverse,” Avery says. “At MAC, I could be anywhere from doing audio to lighting to staging.”


That variety is one of the defining parts of live sound and event production. A show does not happen because of one person or one piece of equipment. It happens because a team knows how to build the system, solve problems, keep things moving, and make sure the audience never sees the work happening behind the scenes.


For Avery, that has meant working with high end gear, learning from experienced people, and staying ready for whatever the next show requires.


“We’re fortunate enough at MAC to have a lot of top notch gear,” he says. “I’ve also been fortunate enough to meet some unreal people.”


From OIART to Major Shows

Since graduating from OIART, Avery has already had the chance to work around major artists, productions, and events.


Through his work at MAC and other opportunities, he mentions being involved with shows connected to Kendrick Lamar, SZA, The Weeknd, Tyler Joe Miller, Weezer, and more. He has also worked as an A2 for Dome Productions on a Toronto Raptors event, and as a systems engineer for Nuit Blanche in Toronto.


Those are not small steps for someone who graduated in 2024.


“How far I’ve come feels really accomplishing,” Avery says. “It’s definitely really exciting.”


That kind of early career momentum does not happen by accident. Avery started by freelancing after graduation, working with different companies and people he had met in the industry. A few months into those different ventures, MAC reached out and offered him a full time position.


It is a good example of how live sound careers often grow. One job leads to another. One connection leads to a call. One good impression can turn into the next opportunity.

Avery Szumlanski editing audio in a studio, leaning over a mixing console beside a computer monitor and speakers.

Why OIART Stood Out

Avery first found OIART near the end of high school while looking into different options for working in production.


He had always been interested in the production industry, but he wanted to understand what career paths were actually possible after school. When he looked into OIART, a few things stood out.


The curriculum felt connected to the real industry. The graduates were working. The instructors had real professional experience. The program looked like it could help him get where he wanted to go.


“The successful graduates that are working in the industry today, that’s definitely what stuck out to me the most,” Avery says.


The curriculum was another major factor.


“It was definitely the curriculum that stood out to me the most,” he says. “And definitely the teachers there, how up to date everything is to what the real world industry is today.”


That mattered once he graduated. According to Avery, the transition from OIART into working professionally did not feel like a huge leap because the training had been built around current industry expectations.


“There wasn’t too much of a learning curve graduating OIART and working where I am today,” he says.

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Theory, Gear, and Hands On Learning

One of the biggest things Avery points to is the connection between what students learn in class and what they do in labs.


For him, that made the material easier to understand. He could learn the theory, then almost immediately apply it to real equipment and real workflows.


“It was definitely really nice to be able to learn the in depth theory in class and then also apply it into the labs afterwards,” Avery says. “It made it really easy to learn, especially as a hands on learner.”


That is a major part of the OIART experience.


Students are not only learning ideas in isolation. They are learning signal flow, systems, consoles, microphones, live sound workflows, studio workflows, troubleshooting, and collaboration in a way that connects back to actual work.


Avery says that immediate connection between theory and gear helped him build confidence.


“It was great to be able to make that connection between the theory and the gear almost immediately,” he says.


Learning From Working Professionals

Avery also points to the instructors as one of the reasons OIART felt connected to the industry.


“All the teachers there are working professionals,” he says. “They still work in the industry today.”


That makes a difference. Students are not only learning from people who understand the concepts. They are learning from people who know what those concepts look like on the job, under pressure, with real clients, real deadlines, and real expectations.


For Avery, that connection between the classroom and the industry helped make the program feel practical.

It also helped create a sense of community.


“Not just the classmates, but also the teachers,” he says. “It felt like it was a real community there. It never felt like anyone was left behind.”

Avery Szumlanski & another student operating a large audio mixing console in a recording studio

Who Does Well at OIART?

When asked what kind of person should consider OIART, Avery’s answer is simple: someone who is passionate, willing to work, and willing to keep learning.


Live sound and event production can be exciting, but it is not passive. The work takes effort. The hours can be long. The job changes from show to show. You have to be ready to learn, adapt, and keep building your skills.

“It takes time,” Avery says. “It takes a lot of effort, and you have to go down certain roads and paths to figure out what you like and what you don’t like.”


That mindset matters in audio because the industry is always changing.


“Someone that is willing to learn more every day and not just learn one thing and be done with it,” Avery says. “You have to be open to consistently learning all the time.”


For students who are serious about audio, that constant change can be part of what makes the work exciting.


“It’s never always the same, no matter where you’re walking into,” Avery says. “It’s always different, and that’s what makes this job so refreshing and enjoyable.”


The Importance of Going the Extra Mile

Avery’s advice for future students is not complicated, but it is important.


Be excited. Work hard. Keep learning. Meet people. Build your network. Take the opportunities seriously.


“Continue to go the extra mile because it doesn’t go unnoticed by people in the industry,” he says. “Continue to grow your network because this industry is all connections.”


That is especially true in live sound and event production, where relationships are a major part of how people find work, get called back, and move into bigger opportunities.


For Avery, the message is not to stay in a small bubble. The industry is bigger than that, and growth comes from being willing to meet people, take chances, and learn from every environment you step into.


“The industry is growing,” he says. “So why not grow with it?”

Empty indoor arena with stage lighting and a Avery Szumlanski standing in the center.

A Real Look at Live Event Work

Part of Avery’s spotlight was filmed during a show setup in downtown London at Dundas Studios, near 7 Social.


For that event, he walked through some of the gear being used, including an Allen & Heath SQ series console, wireless lighting, QSC speakers, subwoofers, and a DJ setup. The show itself was not the biggest event he had worked on, but that is part of what makes the story feel real.


Audio careers are not only made up of massive arenas and major artists. They are also built through smaller rooms, local events, club nights, corporate shows, festivals, freelance calls, and all the technical work that happens before the audience arrives.


That range is what makes live event production such a strong path for people who like variety.


One week might involve PA. Another might involve lighting. Another might involve staging. Another might put you on the floor at a major sports event or behind the scenes at a large Toronto production.


For Avery, that variety is part of the appeal.


A Real Example of Where OIART Can Lead

Avery’s story shows one version of what can happen after OIART.


He found the program near the end of high school, came in with an interest in production, built a foundation across audio and live event work, started freelancing after graduation, made connections, and turned those early opportunities into a full time position at MAC Show Systems.


Less than two years after being a student, he is working in professional environments, learning from experienced technicians, building real systems, and contributing to shows and events that many people only see from the audience.


That is the value of hearing from graduates like Avery.


It makes the path feel real.

Avery Szumlanski an audio technician at a mixing console facing a brightly lit concert stage during a live event

Watch Avery’s Grad Spotlight

In this Grad Spotlight, Avery Szumlanski talks about working as an audio technician at MAC Show Systems, his experience in live sound and event production, why OIART stood out to him, and what advice he has for future students who want to build a career in audio.

FAQs About Avery's Time at OIART

  • What does an audio technician do in live sound and event production?

    Complete the online application form (including your contact information, and information on your interests and background). There is no fee to apply.

  • Where does Avery Szumlanski work?

    Submit the following documents attatched to your online application or by email, mail, or fax:

    • High School Graduates: Proof of high school` graduation or equivalency, with transcripts.
    • High School Students: Most recent transcripts. Updated transcripts and proof of high school graduation must be submitted to the Registrar’s office by July 15th of the upcoming school year.
    • College/University Graduates or Students: Most recent transcripts, in addition to high school transcripts if program is not complete.

    Applicants whose first language is not English must submit TOEFL, PTE Academic or Cambridge EFL results, since oral and written comprehension are crucial for your success.

  • When did Avery graduate from OIART?

    Avery graduated from OIART in 2024.

  • What kinds of events has Avery worked on?

    Avery mentions working around major shows and events connected to artists including Kendrick Lamar, SZA, The Weeknd, Tyler Joe Miller, and Weezer. He also mentions working as an A2 for Dome Productions on a Toronto Raptors event and as a systems engineer for Nuit Blanche in Toronto.

  • How did OIART help Avery prepare for live sound work?

    Avery says OIART helped because the curriculum was up to date with the real industry, the instructors were working professionals, and the program connected classroom theory with hands on lab work. That helped him move from learning concepts to applying them on real gear.

  • Who should consider OIART?

    According to Avery, OIART is a good fit for someone who is passionate about audio, willing to work hard, open to learning every day, and serious about building a career in the industry.

  • What advice does Avery have for future students?

    Avery encourages future students to stay excited, go the extra mile, keep learning, grow their network, and be open to meeting people whenever they get the chance.

Avery Szumlanski’s Career in Live Sound and Event Production Photos

Video Transcript

  • Avery Szumlanski, OIART graduate, 2024. Audio Technician at MAC Show Systems.

    Avery Szumlanski, OIART graduate, 2024. Audio Technician at MAC Show Systems.


    Introduction

    My name is Avery Szumlanski. I’m an audio technician at MAC Show Systems, and I graduated from OIART in 2024.


    What Avery does at MAC Show Systems

    My skill set is pretty diverse. At MAC, I could be anywhere from doing audio to lighting to staging. We have a bunch of different divisions, and we do a range of different shows.


    My day-to-day, basically, when we have PA, I’ll come in and assist. I’ll unload the trucks, obviously. I’ll help get power going, rig our motors, and fly our PA for the day.


    We work with D&B at MAC, but I’ve had the opportunity to work with L-Acoustics and Meyer Sound on a variety of different shows.


    Major shows and opportunities

    This past year, I’ve been fortunate enough while working at MAC to have worked on shows for Kendrick Lamar, SZA, The Weeknd, Tyler Joe Miller, Weezer, and more.


    More recently, I had the opportunity to work as an A2 for Dome Productions with the Toronto Raptors. I was also a systems engineer for Nuit Blanche this year in Toronto.


    Starting after graduation

    After graduating, I started freelancing for a couple different companies and some friends that I’ve been fortunate enough to meet in the industry.


    A few months into a couple different ventures, MAC reached out to me and offered me a full-time position.


    The people and gear at MAC

    We’re fortunate enough at MAC to have a lot of top-notch gear that is incredibly high-end.


    I’ve also been fortunate enough to meet some unreal people. The people at MAC are one of my favourite things. I come in to work every day with a smile on my face, excited to work with these guys.


    A lot of them are really pioneers, so it allows me to pick their brains about what things were like back in the day and what advice they would have for me. They’re also amazing teachers at the same time.


    Seeing big venues from the production side

    It’s pretty amazing. As a kid, I had my fair share of time going to the Rogers Centre, going to see the Jays play, and going to see the Leafs play.


    Now, being on the field or on the floor at those crazy massive venues is unreal compared to where I was at OIART almost two years ago. How far I’ve come feels really accomplishing, and it is definitely really exciting.


    Finding OIART

    I originally found OIART toward the end of high school. I had always been interested in the whole production industry itself, and I was looking at different options for what would be available to me after school.


    I was asking whether there were specific career paths or different schools that might be better than others, and OIART was one that really stuck out to me the most.


    The successful graduates working in the industry today definitely stood out to me the most compared to other schools. Once I saw that, and saw how the curriculum looked from the outside, I felt like I was making the right decision at the time.


    Why the curriculum stood out

    It was definitely the curriculum that stood out to me the most, and definitely the teachers there. Everything felt up to date with what the real-world industry is today.


    There wasn’t too much of a learning curve graduating from OIART and working where I am today. It was how well the curriculum was catered to where the industry is right now.


    All the teachers there are working professionals. They still work in the industry today, so it was really good to hear from people who have been doing this for a long time and still are.


    Theory, labs, and hands-on learning

    It was definitely really nice to be able to learn the in-depth theory in class and then apply it in the labs afterwards. It made it really easy to learn, especially considering myself as a hands-on learner.


    It was great to be able to make that connection between the theory and the gear almost immediately. You wouldn’t have to wait too long to get your hands on the best gear or the amazing studios they have to offer.


    The OIART community

    Not just the classmates, but also the teachers, it felt like a real community there. It never felt like anyone was left behind.


    Who should consider OIART

    I’d say someone who is definitely passionate about the whole audio landscape itself. 


    Someone who is willing to put the work in, and someone who would be excited to come in, learn, and make that effort to work in this industry.


    It takes time. It takes a lot of effort, and you have to go down certain roads and paths to figure out what you like and what you don’t like.


    It is definitely someone who is passionate about this industry and learning more about it. Someone who is willing to learn more every day and not just learn one thing and be done with it.


    You have to be open to consistently learning all the time, because even older people I’ve met in the industry are still learning every single day.


    We’re in a digital world now. Not everything is analog anymore, unfortunately, but you have to be able to learn more every day. It is never always the same, no matter where you’re walking into. It is always different, and that’s what makes this job so refreshing and enjoyable.


    Advice for future students

    Be excited to come in and enjoy it, because there are a lot of people who do not get these opportunities to learn about what we do.


    If you feel like you are making the right choice, which I think you are, if you are considering going to OIART, do it. Keep striving to do what makes you happy.


    Continue to go the extra mile because it does not go unnoticed by people in the industry. Continue to grow your network because this industry is all connections.


    The industry is growing, so why not grow with it? Do not stay within your little network. You have to grow. I know some audio people like to stay inside their little bubble, but you have to be willing to meet people whenever you get the chance.


    A look at the current show setup

    Today we are at Frissons London in downtown London, at Dundas Studios, Laser Quest, by Sevens Social.


    For this show, it is nothing too crazy. We’re using the Allen & Heath SQ-5. For lighting, we’re using all wireless. We’re using Astera AX5s for our PARs, and we have our little module here.


    For audio, we’re using two QSC LA112s with a QSC LS118 as our mid sub. Below that, we have some Yorkville Elites.


    It is a nice room in here. The acoustics are really nice, with wood floors. It is the perfect dance floor for people tonight, and it is definitely going to get pretty crazy.


    As for our DJ booth, we do not have our turntables in yet, but we’re using a Xone:96 as our DJ mixer. Good old analog.


    Considering our headliner has played Stereo Montreal, one of the most prestigious clubs in the world, we want him to have a good experience coming in here today.

Interested in Where Audio Training Could Take You?


OIART’s 11 month Audio Recording Technology program is designed to help students build real skills across music production, live sound, studio recording, and audio for visual media.


Apply to OIART, book a campus tour, or contact our admissions team to learn more about the program and where a career in audio could lead.

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OIART's Audio Program Includes:

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  Industry Leading Instructors

  Post Grad Support & Guidance

  Exclusive 11 Month Program

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