Production
If you’ve ever wondered "How did they do that?" when
listening to your CDs, you’ll find many of the answers in
this course.
For those professionally involved in the stereo
and surround sound techniques developed in the late 20th Century,
it is clear that the act of recording is in itself an interpretive
and artistic gesture. Microphones and mic technique, for example,
offer unique and particular views of a sound source, the correctness
of which is determined by the production intent.
As our Recording and Pro Tools™ classes explore
the tools and techniques of audio technology, the Production classes
reveal and develop the creative and aesthetic impact of modern
recording, mixing and processing techniques. In-depth listening
analysis and extensive ear training cultivate the discriminating
listening habits necessary to thoroughly comprehend both what
is heard, and how it can be successfully sculpted to fit specific
production goals.
Throughout the year and in graduated levels of
complexity, students engage in numerous creative projects. The
completion and systematic analysis of these projects marries studio
technique to artistic intent and prepares students for the successful
production of their own projects in semester three.
Course Outline
| Topic |
Format |
| Production Overview |
Lecture |
| Practical Applications: Project Introduction |
Lectures/Labs |
| Applied Studio Techniques: Project Analysis |
Lectures/Labs |
| Modern Recorded Music Critque and Analysis |
Lectures/Labs |
| Mixing: Balance Engineering and FX |
Lectures/Labs |
| Drum Micing Technique and Application |
Lectures/Labs |
| Electric Instrument Micing Technique and
Application |
Lectures/Labs |
| Acoustic Instrument Micing Technique and
Application |
Lectures/Labs |
| Piano Instrument Micing Technique and Application |
Lectures/Labs |
| Vocal Instrument Micing Technique and Application |
Lectures/Labs |
| Total Class Hours |
18 |
| Total Lab Hours |
50 |
| Course Length |
1.5 Semesters |
|